What Listeners Are Saying About Oleanderia’s “Underpass”:
“This record doesn’t try to impress you. It just sits there in the dark and waits. By the third listen I couldn’t turn it off.”
★★★★★ — Maya T., London
“Finally something that sounds like 2am actually feels. Every track on Underpass is its own kind of quiet emergency.”
★★★★★ — Ren K., Berlin
“The production is so controlled it almost hurts. Nothing is wasted. This is what restraint sounds like when it’s actually confident.”
★★★★½ — Dias M., Manchester
“I put it on while walking home late and the whole city looked different. That’s the only review I have.”
★★★★★ — Sam B., Bristol
“Oleanderia sounds like she’s been making records for twenty years. This debut has more stillness in it than most artists find in a career.”
★★★★★ — Priya N., Amsterdam
Oleanderia is the project of FORM, a musician who came of age between England and France during years that were quiet, painful, and formative in equal measure. Drawing from the emotional language of late 90s British and European underground electronic music — Massive Attack, Portishead, Hooverphonic, Moby, Zero 7 — Oleanderia builds nocturnal, minimal, unresolved trip hop for listeners who follow mood over trend and texture over noise.
The sound is deliberate. Beats that sit low in the body. Melodies that don’t quite close. Atmosphere that prioritises feeling over statement. This is music made for people who live deeply inside their own experience and rarely talk about it.
Oleanderia began in the spaces between things. Late nights alone or with close friends during dark English winters. Playing guitar inside ancient cathedrals. Recording in an English studio. Performing live where the Beatles once played, then sitting with friends afterwards over fish and chips at their favourite pub. The kind of years you spend mostly inside your own head, feeling everything and saying very little.
Those were also the years FORM was listening obsessively to the records that would never leave — Hooverphonic’s quiet devastation, Massive Attack’s urban weight, Portishead’s controlled grief. That music became a native language. Not an influence to be worn on the surface, but something absorbed at the level of instinct.
Oleanderia is what happened when those years and that music finally converged. The project took two years to build from the ground up — every part written, produced, performed, and recorded by FORM. The result is a sound that is minimal, nocturnal, and unresolved. Not as nostalgia. As a first language spoken for the first time out loud.
Oleanderia’s debut album Underpass is out now on Formwave Studio. Ten tracks. One long night. An album built to be heard in order, from the first word to the last hour.
The tracklist moves like a clock that doesn’t quite keep time — Voice, Hush, Morning, Wires, Split, Unless, Anymore, Under, Dissolve, Night — and the arc matters. This is not a playlist. It is a complete world, and every track earns its place in the sequence. It opens on restraint and closes not with resolution but with recognition. As FORM has said of the record: “It does not offer resolution. It offers recognition.”
Oleanderia’s debut album Underpass was entirely self-produced and played on three named guitars: Jane, a Fender Stratocaster Custom; Honey, a custom instrument built by Wood Shop Rocks; and Whiteboard, a custom bass built by FORM through Formwave Studio. Every decision on the record belongs to one person who knew exactly what she was building and took two years to build it correctly.
Underpass was made for listeners who understand that restraint carries its own kind of weight. The record does not offer resolution. It offers recognition.
Oleanderia’s debut album Underpass is available in every format — stream it, download it in lossless HiFi quality, or own it on vinyl or CD.
Stream: Spotify · Apple Music · Tidal
Download (HiFi Lossless): Bandcamp
Physical — Vinyl and CD: Elastic Stage
Watch: YouTube
Every note on Oleanderia’s debut album Underpass was played by hand on one of three instruments FORM knows by name.
Jane is a Fender Stratocaster Custom — the melodic backbone of the record, familiar in feel but pushed into unfamiliar territory throughout. Honey is a custom guitar built by Wood Shop Rocks, bringing a character and texture that production-line instruments cannot replicate. Whiteboard is a custom bass built by FORM through Formwave Studio — present beneath everything, felt more than heard, the way the best bass always is.
Named instruments matter. They mean the record was built by hand, with intention, one part at a time.
FORM is the musician, producer, and songwriter behind Oleanderia. She came of age between England and France — recording in English studios, performing in cathedrals, playing stages where history already lived. Years of absorbing music that prioritised atmosphere over ambition. A decade of audio production work. Then two years building Oleanderia from scratch, alone, correctly.
Underpass is the first full articulation of that world.
FORM is also the musician behind Cold Arc, the NuMetal project released on Formwave Studio in 2025.
Formwave Studio is an independent record label focused on atmospheric and underground electronic music. The label releases work that resists decoration and easy categorisation.
Stay close for new music, visual content, and updates from Oleanderia and Formwave Studio.
Spotify · Apple Music · Tidal · Bandcamp · YouTube
Underpass is out now. Stream it, download it, own it.
